Digital audio's popularity was matched only by the demand for explanations of its workings. Audio engineers, and students wishing to join their ranks, voraciously drank in every scrap of information they could find, undoubtedly further propelling development of the science. The first edition gave way to the second, which stepped aside for the third. My pact with the publisher had taken root and wrapped its twisted tentacles around my soul. As I slavishly authored one edition after another, I had only the royalty checks to console me.At an Audio Engineering Society Convention in New York in 1984, I presented a lecture on digital audio fundamentals, using material from a course I had recently inaugurated at the University of Miami. After the lecture I was thronged by engineers seeking still more information on this new and wondrous topic. An astute acquisitions editor noted the response and in true Mephistophelean style, persuaded me to author a book on digital audio. After all, he explained, it would be easy to simply put everything down on paper. I naively accepted his bargain, and Principles of Digital Audio was published in 1985. The book's publication coincided with a tremendous surge in the research and development of digital audio technology.
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